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2023.03.08
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2024.02.11
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148
doc/CHANGES
148
doc/CHANGES
@@ -15079,3 +15079,151 @@ February 08 2023
|
||||
midi2abc, mftext, midistats: modified midifile.c so that it indicates where
|
||||
it encounters an unexpected byte in the input midi file.
|
||||
|
||||
|
||||
March 24 2023
|
||||
More functions for the percussion track was added to midistats.c to
|
||||
support some future analysis.
|
||||
|
||||
|
||||
June 25 2023
|
||||
Midistats runs incorrectly if the midi file has no program channel
|
||||
commands. When a program channel command is missing, the program should
|
||||
be the acoutic piano (0) by default.
|
||||
|
||||
If more than one channel with the same program color, they should be
|
||||
added together.
|
||||
|
||||
|
||||
August 22 2023
|
||||
|
||||
Midistats improved the calculation of the number of rhythm patterns
|
||||
in a channel (barChn[chan].rhythmPattern) by allowing for dithering
|
||||
of note onset. Introduced dithermargin variable in function
|
||||
stats_noteon(). In function, output_track_summary(), suppressed
|
||||
notemeanpitch for percussion channel.
|
||||
|
||||
|
||||
October 25 2023
|
||||
|
||||
Midistats returns track activity (note on/off) for every track.
|
||||
|
||||
|
||||
November 1 2023
|
||||
|
||||
Midistats returns the control volume settings for every track,
|
||||
identifies midi files whose note timings are not quantized.
|
||||
|
||||
|
||||
November 2 2023
|
||||
|
||||
abc2midi bug: In the following example, not all notes are
|
||||
tied correctly.
|
||||
|
||||
X:1
|
||||
T: tied note
|
||||
M: 2/4
|
||||
L: 1/4
|
||||
K: C
|
||||
D2-|:D2 |[1CD-:|[2CD|
|
||||
|
||||
No fix is available.
|
||||
|
||||
|
||||
November 8 2023
|
||||
|
||||
midistats: extended the size of arrays (midievents and pulsecounter) to
|
||||
handle certain midi files. The function stats_interpret_pulseCounter()
|
||||
can detect midi files containing triplets and nonquantized notes.
|
||||
|
||||
midicopy: extended to handle midi files with up to 150 tracks.
|
||||
|
||||
|
||||
December 17 2023
|
||||
|
||||
midicopy: The midi program number is not set properly for a few the
|
||||
midi files where the channel program numbers are set in a separate
|
||||
track. Midicopy processes and copies the tracks sequentially, and
|
||||
by the time it sees the channel program numbers in the separate
|
||||
track it is already too late. It would be necessary to rewrite
|
||||
midicopy so that it stores the entire midi file in memory prior to
|
||||
copying it to disk.
|
||||
|
||||
midistats: Introducing a new option -nseqfor n where is a channel
|
||||
number. See drums.txt for a description.
|
||||
|
||||
|
||||
December 23 2023
|
||||
|
||||
abc2midi: gchord bug
|
||||
|
||||
The following example produces some strange artefacts on starting
|
||||
the midi file for some players.
|
||||
|
||||
X:1
|
||||
T:Test
|
||||
L:1/8
|
||||
Q:1/2=30
|
||||
M:2/2
|
||||
%%MIDI gchord GHIc
|
||||
K:C
|
||||
GAB | "C"c4 C4 |
|
||||
|
||||
Explanation: the output midi file plays a note with midi pitch 0
|
||||
in the accompaniment channel. The problem originates in the dogchords()
|
||||
function for switch case 'G': in genmidi.c. Since g_started is 0,
|
||||
the second branch of the if statement is executed, but the pitch
|
||||
value in gchordnotes[gchordnotes_size] contains 0.
|
||||
|
||||
Fix: the switch statement should not be executed since g_started is
|
||||
0 (i.e. the gchord accompaniment does not start till "C" is encountered).
|
||||
The switch statement is now bypassed when either g_started
|
||||
or gchords is 0. The tests for gchords and g_started in all the
|
||||
case statements were removed since they are unnecessary.
|
||||
|
||||
|
||||
|
||||
December 28 2023
|
||||
|
||||
abc2midi: tuplet bug
|
||||
|
||||
The following example produces the error
|
||||
|
||||
Warning in line-char 7-8 : Different length notes in tuple
|
||||
|
||||
X:1
|
||||
T:Test
|
||||
L:1/4
|
||||
Q:1/4=90
|
||||
M:3/4
|
||||
K:D
|
||||
(3[ac']/d'/[ac']/ [ac']/z/ |
|
||||
|
||||
Analysis: though it is legal to have different length notes (and
|
||||
rests) in a tuple, this is clearly a bug. The message occurs in the
|
||||
function event_note() in store.c. tnote_num and tnote_denom should
|
||||
contain the expected length of the note in the tuple based on the
|
||||
first note encountered in the tuple. The value of tnote_denom was
|
||||
not adjusted by event_chordoff to compensate by the length value
|
||||
specified at the end of the [ac'] chord, resulting in the problem.
|
||||
|
||||
|
||||
January 15 2024
|
||||
|
||||
abc2midi bug: the following example produces a warning, but the
|
||||
the output midi file is correct.
|
||||
|
||||
Warning in line-char 7-23 : Track 1 Bar 1 has 1 time units while the time signature has 2
|
||||
|
||||
X:1
|
||||
T:Test trill
|
||||
L:1/4
|
||||
M:2/2
|
||||
Q:1/2=60
|
||||
K:Dm
|
||||
!trill!"C"g4- | g2^c2 |
|
||||
|
||||
Analysis: this warning is produced by checkbar() in genmidi.c. This problem was
|
||||
reported in this file on November 23 2012. The code for handling tied notes is
|
||||
quite intricate and I do not understand it. I am hesitant in tampering with the code.
|
||||
|
||||
|
||||
|
||||
248
doc/midistats.1
248
doc/midistats.1
@@ -1,4 +1,4 @@
|
||||
.TH MIDISTATS 1 "9 December 2022"
|
||||
.TH MIDISTATS 1 "11 February 2024"
|
||||
.SH NAME
|
||||
\fBmidistats\fP \- program to summarize the statistical properties of a midi file
|
||||
.SH SYNOPSIS
|
||||
@@ -26,7 +26,7 @@ applies.
|
||||
program is followed by the channel number and the General Midi Program
|
||||
number.
|
||||
.PP
|
||||
trkinfo is an array of 8 numbers which indicates the statistical properties
|
||||
trkinfo is an array of 19 numbers which indicates the statistical properties
|
||||
of the track of interest. The following data is given:
|
||||
the channel number,
|
||||
the first program assigned to this channel,
|
||||
@@ -36,7 +36,18 @@ the sum of the MIDI pitches for all the notes,
|
||||
the sum of the note durations in MIDI pulse units,
|
||||
the number of control parameter messages,
|
||||
the number of pressure messages.
|
||||
and the number of distinct rhythm patterns for each channel
|
||||
the number of distinct rhythm patterns for each channel
|
||||
the number of pulses the channel was inactive
|
||||
the minimum pitch value
|
||||
the maximum pitch value
|
||||
the minimum note length in pulses
|
||||
the maximum note length in pulses
|
||||
the number of gaps in the channel
|
||||
the entropy of the pitch class histogram for that channel
|
||||
the number of notes whose pitch were the same as the previous note
|
||||
the number of notes whose pitch changed by less than 4 semitones
|
||||
the number of notes whose pitch changed by 4 or more semitones
|
||||
(In event of a chords the maximum pitches are compared.)
|
||||
.PP
|
||||
After processing all the individual tracks, the following information
|
||||
applies to the entire midi file.
|
||||
@@ -48,6 +59,8 @@ file.
|
||||
.PP
|
||||
pitchbends specifies the total number of pitchbends in this file.
|
||||
.PP
|
||||
pitchbendin c n specifies the number of pitchbends n in channel c
|
||||
.PP
|
||||
progs is a list of all the midi programs addressed
|
||||
.PP
|
||||
progsact the amount of activity for each of the above midi programs.
|
||||
@@ -67,12 +80,30 @@ instruments.
|
||||
pitches is a histogram for the 11 pitch classes (C, C#, D ...B)
|
||||
that occur in the midi file.
|
||||
.PP
|
||||
key indicates the key of the music, the number of sharps (positive) or
|
||||
flats (negative) in the key signature, and a measure of the confidence
|
||||
in this key signature. The key was estimated from the above pitch histogram
|
||||
by convolving with Craig Sapp's model. The peak of rmaj or rmin (below)
|
||||
indicates the key. A correlation less than 0.4 indicates that the pitch
|
||||
histogram does not follow the histogram of a major or minor scale.
|
||||
(It may be the result of a mixture of two key signatures.)
|
||||
.PP
|
||||
rmaj the cross correlation coefficients with Craig Sapp's major key model
|
||||
for each of the 11 keys (C, C#, D, ...,B).
|
||||
.PP
|
||||
rmaj the cross correlation coefficients with Craig Sapp's minor key model
|
||||
for each of the 11 keys (C, C#, D, ...,B).
|
||||
.PP
|
||||
pitchact is a similar histogram but is weighted by the length of
|
||||
the notes.
|
||||
.PP
|
||||
quietTime is used to compute the track/channel spread in midiexplorer.
|
||||
It is computed by summing up all the midi pulses which occur
|
||||
in gaps greater than 8 beats.
|
||||
chanvol indicates the value of the control volume commands in the
|
||||
midi file for each of the 16 channels. The maximum value is 127.
|
||||
It scales the loudness of the notes (velocity) by its value.
|
||||
.PP
|
||||
chnact returns the amount of note activity in each channel.
|
||||
.PP
|
||||
trkact returns the number of notes in each track.
|
||||
.PP
|
||||
totalrhythmpatterns is the total number of bar rhythm patterns for
|
||||
all channels except the percussion channel.
|
||||
@@ -80,6 +111,211 @@ all channels except the percussion channel.
|
||||
collisions. Midistats counts the bar rhythm patterns using a hashing
|
||||
function. Presently collisions are ignored so occasionally two
|
||||
distinct rhythm patterns are counted as one.
|
||||
.PP
|
||||
Midistats prints a number of arrays which may be useful in
|
||||
determining where the music in the track is a melody line or
|
||||
chordal rhythmic support. These arrays indicate the properties
|
||||
for each of the 16 channels. (The percussion channel 9 contains
|
||||
zeros.) In the case same channel occurs in several tracks, these
|
||||
numbers are the totals for all track containing that channel.
|
||||
Here is a description of these properties.
|
||||
.PP
|
||||
nnotes: the total number of notes in each channel
|
||||
.br
|
||||
nzeros: the number of notes whose previous note was the same pitch
|
||||
.br
|
||||
nsteps: the number of notes whose pitch difference with the previous
|
||||
note was less than 4 semitones.
|
||||
.br
|
||||
njumps: the number of notes whose pitch difference with the previous
|
||||
note was 4 or more semitones.
|
||||
.br
|
||||
rpats: the number of rhythmpatterns for each channels. This is a
|
||||
duplication of data printed previously.
|
||||
.br
|
||||
pavg: the average pitch of all the notes for each channel.
|
||||
.PP
|
||||
In addition the midistats may return other codes that describe
|
||||
other characteristics. They include
|
||||
|
||||
unquantized - the note onsets are not quantized
|
||||
.br
|
||||
triplets - 3 notes played in the time of 2 notes are present
|
||||
.br
|
||||
qnotes - the rhythm is basically simple
|
||||
.br
|
||||
clean_quantization - the note onsets are quantized into 1/4, 1/8, 1/16 time units.
|
||||
.br
|
||||
dithered_quantization - small variations in the quantized note onsets.
|
||||
.br
|
||||
Lyrics - lyrics are present in the meta data
|
||||
.br
|
||||
programcmd - there may be multiple program changes in a midi channel
|
||||
|
||||
|
||||
|
||||
.SH Advanced Percussion Analysis Tools
|
||||
|
||||
.PP
|
||||
The MIDI file devotes channel 9 to the percussion instruments
|
||||
and over 60 percussion instruments are defined in the MIDI
|
||||
standard. Though there is a lot of diversity in the percussion
|
||||
track, for most MIDI files only the first 10 or so percussion
|
||||
instruments are important in defining the character of the track. The
|
||||
program Midiexplorer has various tools for exposing the percussion
|
||||
channel which are described in the documentation. The goal
|
||||
here is to find the essential characteristics of the percussion
|
||||
track which distinguishes the MIDI files. This is attempted
|
||||
in the program midistats. Here is a short description.
|
||||
|
||||
|
||||
.br
|
||||
|
||||
A number of experimental tools for analyzing the percussion channel
|
||||
(track) were introduced into midistats and are accessible through
|
||||
the runtime arguments. When these tools are used in a script which
|
||||
runs through a collection of midi files, you can build a database
|
||||
of percussion descriptors.
|
||||
|
||||
.SH OPTIONS
|
||||
.PP
|
||||
-corestats
|
||||
.br
|
||||
outputs a line with 5 numbers separated by tabs. eg
|
||||
.br
|
||||
1 8 384 4057 375
|
||||
.br
|
||||
It returns the number of tracks, the number of channels, the
|
||||
number of divisions per quarter note beat (ppqn),
|
||||
the number of note onsets in the midi file, and the maximum
|
||||
number of quarter note beats in midi file.
|
||||
|
||||
|
||||
.PP
|
||||
-pulseanalysis
|
||||
.br
|
||||
counts the number of note onsets as a function of its onset time
|
||||
relative to a beat, grouping them into 12 intervals and returns
|
||||
the result as a discrete probability density function. Generally,
|
||||
the distribution consists of a couple of peaks corresponding
|
||||
to quarter notes or eigth notes. If the distribution is flat,
|
||||
it indicates that the times of the note occurrences have not been
|
||||
quantized into beats and fractions. Here is a sample output.
|
||||
.br
|
||||
0.349,0.000,0.000,0.160,0.000,0.000,0.298,0.000,0.000,0.191,0.000,0.000
|
||||
|
||||
.PP
|
||||
-panal
|
||||
.br
|
||||
Counts the number of note onsets for each percussion instrument. The first
|
||||
number is the code (pitch) of the instrument, the second number is the
|
||||
number of occurrences. eg.
|
||||
.br
|
||||
35 337 37 16 38 432 39 208 40 231 42 1088 46 384 49 42 54 1104 57 5 70 1040 85 16
|
||||
|
||||
.PP
|
||||
-ppatfor n
|
||||
.br
|
||||
where n is the code number of the percussion instrument. Each beat
|
||||
is represented by a 4 bit number where the position of the on-bit
|
||||
indicates the time in the beat when the drum onset occurs. The bits
|
||||
are ordered from left to right (higher order bits to lower order
|
||||
bits). This is the order of bits that you would expect in a
|
||||
time series.
|
||||
Thus 0 indicates that there was no note onset in that beat, 1 indicates
|
||||
a note onset at the end of the beat, 4 indicates a note onset
|
||||
in the middle of the beat, and etc. The function returns a string
|
||||
of numbers ranging from 0 to 7 indicating the presence of note onsets
|
||||
for the selected percussion instrument for the sequence of beats
|
||||
in the midi file. Here is a truncated sample of the output.
|
||||
.br
|
||||
|
||||
0 0 0 0 0 0 0 0 1 0 0 4 1 0 0 4 1 0 0 4 1 0 0 4 1 0 0 4 1 0 0 4 1 4 4 0
|
||||
1 0 0 0 1 0 5 0 1 0 5 0 1 0 5 0 1 0 5 0 1 0 5 0 1 0 5 0 1 0 5 0 1 0 0 0
|
||||
1 0 5 0 1 0 5 0 1 etc.
|
||||
|
||||
.br
|
||||
One can see a repeating 4 beat pattern.
|
||||
|
||||
.PP
|
||||
-ppat
|
||||
.br
|
||||
midistats attempts to find two percussion instruments in the midi file
|
||||
which come closest to acting as the bass drum and snare drum.
|
||||
If it is unsuccessful, it returns a message of its failue. Otherwise,
|
||||
encodes the position of these drum onsets in a 8 bit byte for each
|
||||
quarter note beat in the midi file. The lower (right) 4 bits encode the
|
||||
bass drum and the higher (left) 4 bits encode the snare drum in the
|
||||
same manner as described above for -ppatfor.
|
||||
.br
|
||||
0 0 0 0 0 0 0 0 0 0 33 145 33 145 33 145 33 145 33 145 33 145 33 145
|
||||
.br
|
||||
33 145 33 145 33 145 33 145 33 145 33 145 33 145 33 145 33 145 33 145
|
||||
.br
|
||||
33 145 33 145 33 145 33 145 33 145 33 and etc.
|
||||
|
||||
|
||||
.PP
|
||||
-ppathist
|
||||
.br
|
||||
computes and displays the histogram of the values that would appear
|
||||
when running the -ppat. eg.
|
||||
.br
|
||||
bass 35 337
|
||||
.br
|
||||
snare 38 432
|
||||
.br
|
||||
1 (0.1) 64 32 (2.0) 8 33 (2.1) 136 144 (9.0) 8 145 (9.1) 136
|
||||
.br
|
||||
The bass percussion code, the number of onsets, and the snare
|
||||
percussion code and the number of onsets are given in the
|
||||
first two lines. In the next line the number of occurrences of
|
||||
each value in the -ppat listing is given. The number in parentheses
|
||||
splits the two 4-bit values with a period. Thus 33 = (2*16 + 1).
|
||||
|
||||
.PP
|
||||
-pitchclass
|
||||
.br
|
||||
Returns the pitch class distribution for the entire midi file.
|
||||
|
||||
.PP
|
||||
-nseqfor n
|
||||
.br
|
||||
Note sequence for channel n. This option produces a string of bytes
|
||||
indicating the presence of a note in a time unit corresponding to
|
||||
an eigth note. Thus each quarter note beat is represented by two
|
||||
bytes. The pitch class is represented by the line number on the
|
||||
staff, where 0 is C. Thus the notes on a scale are represented
|
||||
by 7 numbers, and sharps and flats are ignored. The line number is
|
||||
then converted to a bit position in the byte, so that the pitch
|
||||
classes are represented by the numbers 1,2,4,8, and etc. A chord
|
||||
of consisting of two note onsets would set two of the corresponding
|
||||
bits. If we were to represent the full chromatic scale consisting
|
||||
of 12 pitches, then we would require two-byte integers or
|
||||
twice of much memory.
|
||||
.br
|
||||
Though the pitch resolution is not sufficient to distinguish
|
||||
major or minor chords, it should be sufficient to be identify some
|
||||
repeating patterns.
|
||||
.PP
|
||||
-nseq
|
||||
.br
|
||||
Same as above except it is applied to all channels except the
|
||||
percussion channel.
|
||||
.br
|
||||
.PP
|
||||
-nseqtokens
|
||||
Returns the number of distinct sequence elements for each channel.
|
||||
The channel number and number of distinct elements separated by
|
||||
a comma is returned in a tab separated list for all active channels
|
||||
except the percussion channel. Here is an example.
|
||||
.br
|
||||
2,3 3,4 4,11 5,6 6,3 7,3 8,6 9,3 11,2 12,1
|
||||
.br
|
||||
|
||||
-ver (version number)
|
||||
|
||||
|
||||
.SH AUTHOR
|
||||
Seymour Shlien <fy733@ncf.ca>
|
||||
|
||||
|
||||
@@ -1,25 +1,23 @@
|
||||
abcMIDI : abc <-> MIDI conversion utilities
|
||||
|
||||
midi2abc version 3.59 February 08 2023
|
||||
abc2midi version 4.84 January 06 2023
|
||||
abc2midi version 4.85 December 23 2023
|
||||
abc2abc version 2.20 February 07 2023
|
||||
yaps version 1.92 January 06 2023
|
||||
abcmatch version 1.82 June 14 2022
|
||||
midicopy version 1.38 May 06 2022
|
||||
midistats version 0.59 February 08 2023
|
||||
midicopy version 1.39 November 08 2022
|
||||
midistats version 0.87 February 11 2024
|
||||
|
||||
24th January 2002
|
||||
|
||||
Copyright James Allwright
|
||||
J.R.Allwright@westminster.ac.uk
|
||||
jamesallwright@yahoo.co.uk
|
||||
University of Westminster,
|
||||
London, UK
|
||||
|
||||
October 2021
|
||||
|
||||
Seymour Shlien
|
||||
Ottawa, Canada
|
||||
August 2023
|
||||
Copyright Seymour Shlien
|
||||
fy733@ncf.ca
|
||||
Ottawa, Canada
|
||||
|
||||
This is free software. You may copy and re-distribute it under the terms of
|
||||
the GNU General Public License version 2 or later, which is available from
|
||||
|
||||
26
genmidi.c
26
genmidi.c
@@ -2413,30 +2413,26 @@ int j;
|
||||
if ((chordnum == -1) && (action == 'c')) {
|
||||
action = 'f';
|
||||
};
|
||||
if (gchords) /* [SS] 2021-06-27 */
|
||||
if (gchords && g_started) /* [SS] 2021-06-27 2023-12-29*/
|
||||
switch (action) {
|
||||
|
||||
case 'z':
|
||||
break;
|
||||
|
||||
case 'f':
|
||||
if (g_started && gchords) {
|
||||
/* do fundamental */
|
||||
if (inversion == -1)
|
||||
save_note(g_num*len, g_denom, basepitch+fun.base, 8192, fun.chan, fun.vel);
|
||||
else
|
||||
save_note(g_num*len, g_denom, inversion+fun.base, 8192, fun.chan, fun.vel);
|
||||
};
|
||||
break;
|
||||
|
||||
case 'b':
|
||||
if (g_started && gchords) {
|
||||
/* do fundamental */
|
||||
if (inversion == -1) /* [SS] 2014-11-02 */
|
||||
save_note(g_num*len, g_denom, basepitch+fun.base, 8192, fun.chan, fun.vel);
|
||||
else
|
||||
save_note(g_num*len, g_denom, inversion+fun.base, 8192, fun.chan, fun.vel);
|
||||
}
|
||||
/* break; * [SS] 2021-06-27 2021-09-15 */
|
||||
/* There should not be a break here so the switch statement continues into the next case 'c' */
|
||||
|
||||
@@ -2450,28 +2446,28 @@ int j;
|
||||
break;
|
||||
|
||||
case 'g':
|
||||
if(gchordnotes_size>0 && g_started && gchords)
|
||||
if(gchordnotes_size>0)
|
||||
save_note(g_num*len, g_denom, gchordnotes[0], 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
break;
|
||||
|
||||
case 'h':
|
||||
if(gchordnotes_size >1 && g_started && gchords)
|
||||
if(gchordnotes_size >1)
|
||||
save_note(g_num*len, g_denom, gchordnotes[1], 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
break;
|
||||
|
||||
case 'i':
|
||||
if(gchordnotes_size >2 && g_started && gchords)
|
||||
if(gchordnotes_size >2)
|
||||
save_note(g_num*len, g_denom, gchordnotes[2], 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
break;
|
||||
|
||||
case 'j':
|
||||
if(gchordnotes_size >3 && g_started && gchords)
|
||||
if(gchordnotes_size >3)
|
||||
save_note(g_num*len, g_denom, gchordnotes[3], 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
@@ -2479,34 +2475,34 @@ int j;
|
||||
|
||||
/* [SS] 2021-12-10 */
|
||||
case 'k':
|
||||
if(gchordnotes_size >4 && g_started && gchords)
|
||||
if(gchordnotes_size >4)
|
||||
save_note(g_num*len, g_denom, gchordnotes[4], 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
|
||||
case 'G':
|
||||
if(gchordnotes_size>0 && g_started && gchords)
|
||||
if(gchordnotes_size>0 )
|
||||
save_note(g_num*len, g_denom, gchordnotes[0]-12, 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
break;
|
||||
|
||||
case 'H':
|
||||
if(gchordnotes_size >1 && g_started && gchords)
|
||||
if(gchordnotes_size >1)
|
||||
save_note(g_num*len, g_denom, gchordnotes[1]-12, 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
break;
|
||||
|
||||
case 'I':
|
||||
if(gchordnotes_size >2 && g_started && gchords)
|
||||
if(gchordnotes_size >2)
|
||||
save_note(g_num*len, g_denom, gchordnotes[2]-12, 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
break;
|
||||
|
||||
case 'J':
|
||||
if(gchordnotes_size >3 && g_started && gchords)
|
||||
if(gchordnotes_size >3)
|
||||
save_note(g_num*len, g_denom, gchordnotes[3]-12, 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
@@ -2514,7 +2510,7 @@ int j;
|
||||
|
||||
/* [SS] 2021-12-10 */
|
||||
case 'K':
|
||||
if(gchordnotes_size >3 && g_started && gchords)
|
||||
if(gchordnotes_size >3)
|
||||
save_note(g_num*len, g_denom, gchordnotes[4]-12, 8192, gchord.chan, gchord.vel);
|
||||
else /* [SS] 2016-01-03 */
|
||||
save_note(g_num*len, g_denom, gchordnotes[gchordnotes_size], 8192, gchord.chan, gchord.vel);
|
||||
|
||||
11
midicopy.c
11
midicopy.c
@@ -52,7 +52,7 @@
|
||||
|
||||
|
||||
|
||||
#define VERSION "1.38 May 05 2022 midicopy"
|
||||
#define VERSION "1.39 November 07 2023 midicopy"
|
||||
#include "midicopy.h"
|
||||
#define NULLFUNC 0
|
||||
#define NULL 0
|
||||
@@ -96,8 +96,9 @@ long max_currtime = 0;
|
||||
long Mf_currcopytime = 0L; /* time of last copied event */
|
||||
char *trackdata = NULL;
|
||||
long trackdata_length, trackdata_size;
|
||||
char *trackstr[64]; /* [SS] 2017-10-20 2019-07-05*/
|
||||
int trackstr_length[64]; /* [SS] 2017-10-20 2019-07-05*/
|
||||
/* char *trackstr[64]; [SS] 2017-10-20 2019-07-05*/
|
||||
char *trackstr[150]; /* [SS] 2023-11-07 */
|
||||
int trackstr_length[150]; /* [SS] 2017-10-20 2019-07-05* 2023-11-07*/
|
||||
int trkid = 0;
|
||||
int activetrack;
|
||||
int nochanmsg = 1;
|
||||
@@ -1290,7 +1291,7 @@ build_new_midi_file (format, ntracks, division, fp)
|
||||
|
||||
get_tempo_info_from_track_1 ();
|
||||
|
||||
if (ntracks > 63) {printf("too many tracks\n"); exit(1); }
|
||||
if (ntracks > 149) {printf("too many tracks\n"); exit(1); }
|
||||
|
||||
/* The rest of the file is a series of tracks */
|
||||
for (i = 0; i < ntracks; i++)
|
||||
@@ -1836,7 +1837,7 @@ main (int argc, char *argv[])
|
||||
printf ("-ver version information\n");
|
||||
printf ("-trks n1,n2,..(starting from 1)\n");
|
||||
printf ("-xtrks n1,n2,.. (tracks to exclude)\n"); /* [SS] 2013-10-27 */
|
||||
printf ("-xchns n1,n2,.. (tracks to exclude)\n"); /* [SS] 2017-12-06 */
|
||||
printf ("-xchns n1,n2,.. (channels to exclude)\n"); /* [SS] 2022-11-12 */
|
||||
printf ("-chns n1,n2,..(starting from 1)\n");
|
||||
printf ("-from n (in midi ticks)\n");
|
||||
printf ("-to n (in midi ticks)\n");
|
||||
|
||||
784
midistats.c
784
midistats.c
File diff suppressed because it is too large
Load Diff
Reference in New Issue
Block a user