abcMIDI-2020.07.06.zip

2025-12-06 06:55:06 +00:00 · 2020-07-12 12:40:01 -04:00
commit 0497c9a75b
84 changed files with 66163 additions and 0 deletions
--- a/samples/araber.abc
+++ b/samples/araber.abc
@@ -0,0 +1,31 @@
+X: 47
+%%MIDI channel 1
+%%MIDI chordprog 32
+%%MIDI bassprog 0
+%%MIDI program 25
+%%MIDI beat 110 100  90 4
+%%MIDI ratio 2 1
+%%MIDI chordvol 95
+%%MIDI bassvol 97
+%%MIDI transpose 0
+%%MIDI gracedivider 4
+Q:1/4 = 144
+T: Araber tants  [D]
+R: Terkish
+S: handwritten MS of unknown origin labelled "III-2"
+Z: 2009 John Chambers <jc:trillian.mit.edu>
+M: C
+L: 1/8
+K: Dphr ^F
+%%MIDI drum d2zdd2d2 65 50 50 50 90 90 90 90
+%%MIDI drumon
+D2 \
+| "D"FGA2 A2A2 | "Gm"B6 AG | "D"^FGA2 "Eb"BAGA | "D"GF3 z2D2 |
+| "D"FGA2 A2A2 | "Cm"c4- cBAG | "D"FGA2 "Eb"BAGA | "D"GF3 z4 |
+| "D7"Dd2^c d2A2 | "Gm"B3c d2c/B/A/G/ | "Cm"FG3- GFEF | "D"ED3 zD (3BAG |]
+|: "D7"F8 | "Gm"G8 | "D"FGAF- FD"Cm"EC | "D"DEFG AdAG |
+|  "D7"F8 | "Gm"G4 zD (3BAG | "D"FGAF- FD"Cm"EC |1 "D"D4 zD (3BAG :|2 "D"D4 zd "Cm"c/B/A/G/ ||
+|: "D"FGAF- FD "Cm"E/D/E/C/ | "D"DEFG Ad "Cm"c/B/A/G/ \
+|  "D"FGAF- FD"Cm"EC |1 "D"DD2A, DA,D2 :|2 "D"D6 |]
+
+
--- a/samples/baym_rebin.abc
+++ b/samples/baym_rebin.abc
@@ -0,0 +1,59 @@
+X: 63
+T: Baym Rebin's Sude
+T: At the Rabbi's Table
+Z: John Chambers <jc:trillian.mit.edu>
+M: 2/4
+L: 1/16
+K: C^f^c^a 
+Q:1/4=80
+V:1
+%%MIDI program 65 %alto sax
+FE \
+|: "F#"^DEF2 F2F2 | F8 | ABc2 "Em"BAG2 | "F#"F8 \
+| A4 "Bm"B4 | "F#"c4 "Bm"B4 | "F#"A6 G2 | A2G2 F2E2 |
+| "F#"^DEF2 F2F2 | F8 | FGA2 "Em"GFE2 | E8 \
+| e2d2 c2B2 | A2E2 F2G2 | "F#"F8- | F4 z4 :|
+|: "Bm"F2B2 A2B2 | "F#7"c2d2 c2F2 | "Bm"B6 cd | B8 \
+| "Em"e4 "F#7"f4 | "Em"e4 "Bm"d4 | "F#"c6 B2 | c2B2 A4 |
+| "F#"A4 "Bm"B4 | "F#"c4 "Bm"B4 | "F#"A6 G2 | A2G2 F2E2 \
+| "Em"A2B2 B2B2 | AcBA GFEG | "F#"F4-  FAcA | F8 :|
+|: "Bm"dcdc dcB2 | "Em"BABA BAG2 | "F#"FGA2 "Em"GFE2 | E8 \
+| A2B2 B2B2 | AcB2 A2B2 | "F#"c4- cBAG | F8 |
+| "Bm"dcdc dcB2 | "Em"BABA BAG2 | "F#"FGA2 "Em"GFE2 | E8 \
+| "Em"e2d2 c2B2 | A2E2 F2G2 | "F#"F8- | F8 :|
+V: drum
+%%MIDI channel 10
+zz |: D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,D,,D,, D,D,,D,, D,^G,,  |
+ |D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,D,,D,, D,D,,D,, D,^G,,  :|
+%
+|: D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,D,,D,, D,D,,D,, D,^G,,  |
+ |D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,^G,,^G,, D,D,,D,, ^G,,D,, |
+ D,D,,D,, D,D,,D,, ^G,,^G,, |
+ D,D,,D,, D,D,,D,, D,^G,,  :|
+
--- a/samples/boys.abc
+++ b/samples/boys.abc
@@ -0,0 +1,39 @@
+X: 3
+T: The Boys of Carrigallen
+B: O'Neill's 210
+N: "Cheerful"
+N: "Collected by J.O'Neill"
+Z: 1997 by John Chambers <jc@eddie.mit.edu> http://eddie.mit.edu/~jc/music/abc/
+M: 6/8
+L: 1/8
+K: Am
+V:1
+|:E \
+| A2E A>(Bc/d/) | e>de (A2B/A/) | G2D G>(AB/c/) | d>cd G2B |
+| A2E ABd | e2^f g>fg | edc Bcd | ecA A2 :|
+|: a \
+| :a^ga A2a | a^ga A2g | g^fg G2=g | g^fg G2B |
+| c2c d2d | e^fg a3 | edc Bcd | ecA A2 :|
+V: drum
+M: 6/8
+L: 1/16
+%%MIDI channel 10
+ |: z2|F4FF ^F2F2^F2 |
+ F4^F2 ^F4^F2 |
+ F4FF ^F2F2^F2 |
+ F4^F2 ^F4^F2 |
+ F4FF ^F2F2^F2 |
+ F4^F2 ^F4^F2 |
+ F4FF ^F2F2^F2 |
+ F2^F2F2 F4  :|
+ |: z2|F4FF ^F2F2^F2 |
+ F4^F2 ^F4^F2 |
+ F4FF ^F2F2^F2 |
+ F4^F2 ^F4^F2 |
+ F4FF ^F2F2^F2 |
+ F4^F2 ^F4^F2 |
+ F4FF ^F2F2^F2 |
+ F2^F2F2 F4  :|
+
+
+
--- a/samples/coleraine.abc
+++ b/samples/coleraine.abc
@@ -0,0 +1,53 @@
+X: 8
+%%MIDI channel 1
+%%MIDI chordprog 3
+%%MIDI bassprog 3
+%%MIDI program 26
+%%MIDI beat 110 100  90 4
+%%MIDI ratio 2 1
+%%MIDI chordvol 64
+%%MIDI bassvol 65
+%%MIDI transpose 0
+%%MIDI gracedivider 4
+Q:1/4 = 142
+T: Coleraine
+B: Kerr's Violin IV
+Z: John Chambers <jc@eddie.mit.edu> http://eddie.mit.edu/~jc/music/
+R: jig
+M: 6/8
+L: 1/8
+K: Am
+%%MIDI drum d2z2ddd2d2d2 65 66 66 50 66 66 90 70 70 90 70 70
+%%MIDI drumon
+V:1
+%%MIDI program 72
+%%MIDI control 7 115
+%%MIDI control 10 67
+%%MIDI beat 110 100  90 4
+|: "E7"E | "Am"E>AA ABc | "E7"B>ee e2d | "Am"c>AA ABc | "E7"B^GE E2E | \
+| "Am"E>AA ABc | "E7"B>ee e2d | "Am"c>BA "E7"B^GE | "Am"A3- A2 :|
+|: "G7"B | "C"c2c cdc | "G"Bdg "(E)"g2^g | "Am"a>ed cBA | "E7"^GBG E^FG | \
+| "Am"A^GA "E7"BAB | "Am"cde "Dm"fed | "Am"c>BA "E7"B^GE | "Am"A3- A2 :|
+V: drum
+M: 6/8
+L: 1/16
+%%MIDI channel 10
+ |: z2|G,,3A,,G,,2 A,,G,,A,,2A,,2 |
+ G,,3A,,G,,2 A,,2G,,A,,G,,2 |
+ G,,3A,,G,,2 A,,G,,A,,2A,,2 |
+ G,,3A,,G,,2 A,,2G,,A,,G,,2 |
+ G,,3A,,G,,2 A,,G,,A,,2A,,2 |
+ G,,3A,,G,,2 A,,2G,,A,,G,,2 |
+ G,,3A,,G,,2 A,,G,,A,,2A,,2 |
+ G,,3A,,G,,2 A,,2G,,A,,  :|
+%
+ |:z2| G,,3A,,G,,2 A,,G,,A,,2A,,2 |
+ G,,3A,,G,,2 A,,2G,,A,,G,,2 |
+ G,,3A,,G,,2 A,,G,,A,,2A,,2 |
+ G,,3A,,G,,2 A,,2G,,A,,G,,2 |
+ G,,2G,,2G,,2 z6 |
+ G,,2G,,2G,,2 z6 |
+ G,,2G,,2G,,2 z6 |
+ G,,6 z4  :|
+
+
--- a/samples/daramud.abc
+++ b/samples/daramud.abc
@@ -0,0 +1,13 @@
+X:1
+T:Daramad of Shur
+L:1/8
+% adapted from http://anamnese.online.fr/iran/persianm.abc
+% see http://anamnese.online.fr/iran/persian_music.html for more info
+Q:1/4=135
+M:4/4
+K:C
+%%MIDI program 111
+d _/e g f _/e d c _B  A G A d2 {c}_B2 {A}G2 |
+G A c _B A G F _/E  D _/E  F G A c {_B} A2 {G} F4 |
+FFF A2 G2 {F} _/E_/E_/E G2 F2 {_/E} DDDF2 _/E2| 
+
--- a/samples/demo.abc
+++ b/samples/demo.abc
@@ -0,0 +1,280 @@
+%               Example tunes for abc2midi.
+% Illustrating various aspects of the abc notation language
+%
+%
+
+% A French tune using an in-body key change
+%
+X: 1
+T:Horses Branle
+M:4/4
+L:1/8
+Q:1/4=127
+C:Trad
+K:G
+P:A
+|: G>A BB cBAc|BAGF E2D2|G>A BB cBAc|BGAF G2 G2
+P:B
+:: d c/2B/2 AB c B/2A/2 GB|AGFG A>B A2|\
+   d c/2B/2 AB c B/2A/2 GB|AGGF G2 G2 ::
+P:C
+K:F
+B/2A/2 G B/2A/2 G FG A2|DEFG ABAG | \
+B/2A/2 G B/2A/2 G FG A2|DEFG GF G2 :|
+
+% A hornpipe using triplets, accidentals and broken rhythm 
+%
+X: 2
+T:Trumpet Hornpipe 
+T:Captain Pugwash Theme
+C: Trad
+M:4/4
+L:1/8
+Q:1/4=140
+R:hornpipe
+K:G
+|: (3GGG G2 (3GGG G>d|B>GB>d g>dB>G|\
+(3DDD D2 (3DDD D>A|F>DF>A c>AF>A|
+  (3GGG G2 (3GGG G>d|B>G B>d g2 g2|\
+f>ag>f e>gf>e |1 d>^cd>e d>=cB>A :|2 d>^cd>e d2 B>=c |:
+ (3ddd d2 (3ddd d2|e>fg>f e>dc>B|\
+c>de>d c>BA>G|F>GA>G F>DE>F|
+(3GGG G2 (3=FFF F2|(3EEE E2 (3^DDD D2| \
+=D>gf>e d>cB>A|1 G2B2G2 B>c :|2 G2B2G4 ||
+
+% Using ties to create non-standard length notes.
+%
+X:3
+T:Smash the Windows
+T:Roaring Jelly
+S:One Thousand English Country Dance Tunes, Michael Raven
+C:Trad
+M:6/8
+L:1/8
+Q:1/8=400
+K:D
+|:A|DED F2A|d2f ecA|G2B F2A|E2F GFE|DED F2A|d2f ecA|Bgf edc|d3-d2:|
+a|a2f d2f|A2a agf|g2e c2e|A2g gfe|f2d g2e|a2f bag|fed edc|d3-d2a|
+agf fed|Adf agf|gfe ecA|Ace gfe|fed gfe|agf bag|fed edc|d3-d2z||
+
+% Four-part arrangement using V: for multiple voices
+%
+X: 4
+T: Candlemas Eve
+S: Hymn 126 Arr. R. Herrick from an old church-gallery book
+M:4/4
+L:1/8
+Q:1/8=400
+N:from an old church-gallery book
+H:The old church-gallery book was discovered by the Rev. L.J.T. Darwall.
+H:The source has a 4-part harmony.
+O:English
+R:Reel
+K:G
+V: 1
+% soprano
+D2 |\
+G2  G2  B2  G2  | E2  F2  G2  Bd  | c2  B2   A2  G2  | A6  Bc  |
+d2  B2  G2  AB  | c2  A2  F2  GA  | B2  G2   E2  F2  | G6  Bc  |
+d2  d2  d2  B2  | e2  c2  A2  Bd  | c2  B2   A2  G2  | d6  B2  |
+e2  d2  c2  B2  | A2  G2  F2  GA  | B2  G2   E2  F2  | G6  z2  ||
+V: 2
+% alto
+D2 |\
+D2  C2  B,2 D2  | C2  C2  D2  D2  | G2  G2   E2  E2  | F6  G2  |
+G2  F2  E2  D2  | C2  E2  D2  E2  | D2  D2   C2  C2  | D6  G2 |
+G2  G2  G2  G2  | G2  G2  F2  D2  | G2  G2   E2  G2  | F6  D2  |
+C2  D2  EF  G2  | E2  E2  D2  E2  | D2  B,2  C2  D2  | D6  z2  ||
+V: 3
+% tenor
+D,2 |\
+G,2 G,2 G,2 G,2 | G,2 A,2 B,2 B,2 | E2  D2   C2  B,2 | D6  D2  |
+D2  D2  B,2 G,2 | E,2 A,2 A,2 C2  | G,2 G,2  G,2 A,2 | B,6  DC |
+B,2 D2  B,2 D2  | C2  E2  D2  B,2 | C2  D2   C2  G,2 | A,6 G,2 |
+G,2 G,2 C2  D2  | CD  CB, A,2 C2  | G,2 G,2  A,2 A,2 | B,6 z2  ||
+V: 4
+% bass up one octave
+D2  |\
+B,2 A,2 G,2 B,2 | C2  A,2 G,2 G2  | E2  G2   A2  E2  | D6  GA  |
+B,2 D2  E2  E2  | A,2 C2  D2  C2  | B,2 A,B, C2  A,2 | G,6 G,2 |
+G2  B2  G2  G2  | c2  C2  D2  G2  | E2  G2   C2  E2  | D6   G2 |
+C2  B,2 A,2 G,2 | A,2 C2  D2  C2  | B,2 E2   A,2 D2  | G,6  z2 ||
+
+% Using the w: field and part notation to create a karaoke file.
+% There are a lot more verses to this song than the 3 shown here.
+%
+X: 5
+T: Oh You New York Girls
+C:Trad
+M: 4/4
+L: 1/8
+Q:1/4=200
+P:(AB)3
+K:C % 0 sharps
+%%MIDI gchord fz
+%%MIDI chordvol 90
+P:A
+g2|e2g2g3g|f2a2a3a|g2g2f2g2|e6 
+w:As I walked out on So-uth Street, a fair maid I did meet
+w:I said, "My dear young la-dy, I'm a stran-ger here in town
+w:I took her out to Tiff-an-y's, I spared her no ex-pense
+g2|c'3c'c'2g2|b2 a2a3a|g3 gf2d2|c4
+w:Who asked me please to see her home, she lived on Blee-cker Street
+w:I left my ship just yes-ter-day, from Liver-pool I was bound."
+w:I bought her two gold ea-r-rings, they cost me fif-teen cents.
+P:B
+e2f2|g6e2|f2 a6|b4 a4|a2g4 z2|
+w:And a-way, you John-ny, my dear hon-ey
+c'6b2|b2a2 a4|g3g f2B2|d2c4
+w:Oh you New York girls, can you dance the pol-ka?
+
+% Using "guitar chords" to generate an accompaniment.
+% Also uses R:hornpipe to generate broken rhythm.
+%
+X:6
+T:The Friendly Visit
+R:hornpipe
+S:Nottingham Music Database
+M:4/4
+L:1/8
+Q:1/4=200
+K:G
+|: BA|\
+"G"(3GFG DG BGBd|"C"(3cBc AB "D7"cdef|"G"g2df "C"ecAG|"Am"FGAB "D7"cAFD|
+"G"(3GFG DG BGBd|"C"(3cBc AB "D7"cdef|"G"gdBG "D7"FAdc|"G"B2G2 G2::
+(3GBd|\
+"G"g2dB GBdg|"Am"e2cA FGAg|"D"f2ed "A7"^cdeg|"D7"(3fgf (3efe dcBA|
+"G"(3GFG DG BGBd|"C"(3cBc AB "D7"cdef|"G"gdBG "D7"FAdc|"G"B2G2 G2:|z2||
+
+% Using drone commands for bagpipe music
+X: 7
+T:The First Slip  "Arranged by Terry Tully"
+M:C
+L:1/8
+Q:80
+C:Traditional Irish
+S:Reel
+Z: The Brussels Caledonian Corneymusers Pipe Band
+Z: http://membres.lycos.fr/corneymusers/Tunes.html
+K:HP
+%%MIDI program 109
+%%MIDI drone 70 45 33 90 90
+%%MIDI droneon
+|: {g}eA{gAGAG}A2{gef}e2{g}dB|
+{g}eA{gAGAG}A2{g}GB{gBeBG}B2|
+{g}eA{gAGAG}A2{gef}e2{g}fa|  !
+ge{gde}dB{G}ABcd:| |:
+{g}ea{g}ag{ef}e2{A}ef|
+{g}dB{gBeBG}B2{g}GB{gBeBG}B2|  !
+{g}ea{g}ag{ef}e2{A}ef|
+{a}ge{gde}dB{G}ABcd:|
+%%MIDI droneoff
+
+% Using extended gchord codes for playing arpeggios
+X: 8
+T:Roddy McCawley
+% Nottingham Music Database
+S:Saen Smith, via PR
+M:4/4
+L:1/4
+K:G
+%%MIDI program 73
+%%MIDI chordprog 0
+%%MIDI bassprog 1
+%%MIDI gchord ghhi
+GA |B2 AB|D2 GA|"G"B3/2c/2 BA|G2 D2|"C"E2 G2|G2 A2|"G"G4-|
+B2 Bc|"G"d2 d2|d2 Bd|"C"e2 e2|"G"d2 BA|"Em"G2 E2|"Am"c2 B2|"D"A4-|
+A2 Bc|"G"d2 d2|d2 Bd|"C"e2 e2|"G"d2 BA|"Em"G2 E2|"Am"c2 B2|"D"A4-|A2 GA|
+"G"B2 AB|D2 GA|"G"B3/2c/2 BA|G2 D2|"C"E2 G2|G2 A2|"G"G4-|G4||
+
+% uses microtones
+X:9
+T:Daramad of Shur
+L:1/8
+% adapted from http://anamnese.online.fr/iran/persianm.abc
+% see http://anamnese.online.fr/iran/persian_music.html for more info
+Q:1/4=135
+M:4/4
+K:C
+%%MIDI program 111
+d _/e g f _/e d c _B  A G A d2 {c}_B2 {A}G2 |
+G A c _B A G F _/E  D _/E  F G A c {_B} A2 {G} F4 |
+FFF A2 G2 {F} _/E_/E_/E G2 F2 {_/E} DDDF2 _/E2| 
+
+
+%using the %%MIDI trim command to distinguish slurs
+X:10 
+T:Heights of Alma
+% Nottingham Music Database
+S:KCC p3, via EF
+M:4/4
+L:1/4
+K:A
+%%MIDI trim 1/5
+%%MIDI program 74
+%%MIDI beat 89 79 69 4
+%%MIDI chordprog 45
+%%MIDI bassprog 45
+%%MIDI chordvol 77
+%%MIDI bassvol 73
+P:A
+(e/2d/2)|"A"cA AE|"A"(A/2B/2c/2d/2) e2|"A"(f/2e/2d/2c/2) eA|\
+"G"(d/2=c/2B/2A/2) =Ge/2d/2|
+"A"cA AE|"A"A/2B/2c/2d/2 e2|"A"(f/2e/2d/2c/2) "E7"(e/2f/2e/2d/2)|"A"cA A:|
+P:B
+c/2d/2|"A"ea ca|"A"e/2f/2e/2c/2 AB/2=c/2|"G"d=g Bg|"G"d/2e/2d/2B/2 =Gc/2d/2|
+"A"ea ca|"A"e/2f/2e/2c/2 AB/2c/2|"E7"(d/2c/2B/2A/2) (G/2B/2e/2d/2)|"A"cA A:|
+
+
+
+X:11
+T:Linear Temperament
+M:4/4
+L:1/4
+Q:1/4=35
+% %MIDI temperamentlinear 1200.0 694.736842    % 19-EDO
+% %MIDI temperamentlinear 1200.0 709.090909    % 22-EDO
+% %MIDI temperamentlinear 1200.0 696.774194    % 31-EDO
+% %MIDI temperamentlinear 1200.0 698.0         % fifth=698 cents
+% %MIDI temperamentlinear 1200.0 696.57843     % 1/4-comma meantone
+%%MIDI temperamentlinear 1200.0 701.955001    % Pythagorean
+% %MIDI temperamentnormal                      % 12-EDO
+K:C
+V:1
+%%MIDI program 16
+c2 B2 | c3/z/ ^A2 |
+V:2
+%%MIDI program 16
+G2 G2 | G3/z/ G2 |
+V:3
+%%MIDI program 16
+(3E_E^D (3=DF_F | =E3/z/ E2 |
+V:4
+%%MIDI program 16
+C2  G,2 | C3/z/ C2 |
+
+
+X: 12
+T:Cuckoo's Nest
+% Nottingham Music Database
+% drum line added by Seymour
+S:Song
+M:4/4
+L:1/8
+R:Hornpipe
+Q:1/4=144
+K:Dm
+V:1
+"Dm"D2DE DCA,C|"Dm"DCDE F2"C7"FA|"F"c2cd A2GF|"C"ECCC C2"A7"FE|
+"Dm"D2DE DCA,C|"Dm"DCDE F2"C7"FG|"F"ABcA "A7"GFEF|"Dm"E2"Gm"D2 "Dm"D2||
+V:2
+%%MIDI channel 10
+%%MIDI chordattack 50
+[^F,,E,,]/[^F,,E,,]/[D,,^F,,]/[D,,^F,,]/ ^F,,F,, z4|^F,,E,,E,,^F,,z4|\
+[^F,,E,,]/[^F,,E,,]/[D,,^F,,]/[D,,^F,,]/ ^F,,F,, z4|D,,D,,D,,^F,,z4|
+[^F,,E,,]/[^F,,E,,]/[D,,^F,,]/[D,,^F,,]/ ^F,,F,, z4|^F,,D,,D,,^F,,z4|\
+[^F,,E,,]/[^F,,E,,]/[D,,^F,,]/[D,,^F,,]/ ^F,,E,, z4|E,,^F,,B,,,4|
+
+
+
+
--- a/samples/dergasn.abc
+++ b/samples/dergasn.abc
@@ -0,0 +1,35 @@
+X: 145
+%%MIDI channel 1
+%%MIDI chordprog 3
+%%MIDI bassprog 3
+%%MIDI program 26
+%%MIDI beat 110 100  90 4
+%%MIDI ratio 2 1
+%%MIDI chordvol 64
+%%MIDI bassvol 65
+%%MIDI transpose 0
+%%MIDI gracedivider 4
+Q:1/4 = 110
+T: der Gasn Nigun
+T: the Street Tune
+R: horra
+B: The Compleat Klezmer p.47
+M: 3/8
+L: 1/16
+%Q: 3/8=60
+K: Dm
+%%MIDI drum dzd 65 50  90 90
+%%MIDI drumon
+%%MIDI gchord fcc
+|: zF2 \
+| "Gm"FG3 G2 | TG4 F2 | "Dm"FD- D4- | D2z2 F2 \
+| "Gm"FG3 G2 | "C7"TG3F AG | "F"F3C AC | F2z2 C2 |
+| "Fm"C3F EF | G3_A =Bc | "G"d3_e dc | T=B3_A GF \
+| "Dm"F3E "Gm"GE | "Dm"F3D "Cm"(3_EDC | "Dm"D3d AF | D2z :|
+|: A,DF \
+| "Dm"A6- | A3A (3c=BA | ^G=B A4- | A3D FA \
+| "Dm"c3=B (3cBA | c3=B (3cBA | ^G=B A4- | A3 A,DF |
+| "Dm"A3^G (3AGF | A3^G (3AGF | E=G F4- | F3 A,DE \
+| "Dm"F3E (3FED | F3E (3FED | ^CE D4- | D2z :|
+
+
--- a/samples/detune.abc
+++ b/samples/detune.abc
@@ -0,0 +1,46 @@
+X:1
+T:temperament command
+M: 4/4
+L: 1/8
+K:C
+%%temperament +00 -06 -04  -02 -08 +02  -08 -02 -04  -06 10 0
+c d e f g a b c' |
+K:C#
+c d e f g a b c' |
+K:Cb
+c d e f g a b c' |
+M:12/8
+L:1/8
+K:C
+c ^c d ^d e f ^f g ^g a ^a b |
+M:13/8
+L:1/8
+c _d =d _e =e f _g =g _a =a _b =b c' |
+
+
+X:2
+T:temperament command
+T:from https://chiselapp.com/user/moinejf/repository/abc2svg/artifact/9b9730a7decefc8f
+L:1/2
+M:6/2
+K:C
+%%MIDI program 16
+%%MIDI makechordchannels 2
+% pythagore (~500 B.C)
+%%temperament +00 +14 +04 -06 +08 -02 +12 +02 +16 +06 -04 +10
+[CEG]2z [C_EG]2z | [^F^A^c]2z [^F=A^c]2z |
+% just intonation
+%%temperament +00 -08 -18 -06 -14 -02 -10 +02 -08 -16 -04 -12
+[CEG]2z [C_EG]2z | [^F^A^c]2z [^F=A^c]2z |
+% meantone (Pietro Aaron 1523)
+%%temperament +00 -24 -07 +10 -14 +03 -21 -03 -27 +10 +07 -17
+[CEG]2z [C_EG]2z | [^F^A^c]2z [^F=A^c]2z |
+% Andreas Werckmeister III (1681)
+%%temperament +00 -04 +04 +00 -04 +04 +00 +02 -08 +00 +02 -02
+[CEG]2z [C_EG]2z | [^F^A^c]2z [^F=A^c]2z |
+% well temperament (F.A. Vallotti 1754)
+%%temperament +00 -06 -04 -02 -08 +02 -08 -02 -04 -06 +00 -10
+[CEG]2z [C_EG]2z | [^F^A^c]2z [^F=A^c]2z |
+% 12-tone equal temperament
+%%MIDI temperamentnormal
+[CEG]2z [C_EG]2z | [^F^A^c]2z [^F=A^c]2z |
--- a/samples/drums.abc
+++ b/samples/drums.abc
@@ -0,0 +1,31 @@
+X:1
+T: drums
+M: 2/4
+L:1/8
+K: C
+%%MIDI drum dddd 35 36 37 38
+%%MIDI drumon
+z4|
+%%MIDI drum dddd 39 40 41 42
+z4|
+%%MIDI drum dddd 43 44 45 46
+z4|
+%%MIDI drum dddd 47 48 49 50
+z4|
+%%MIDI drum dddd 51 52 53 54
+z4|
+%%MIDI drum dddd 55 56 57 58
+z4|
+%%MIDI drum dddd 59 60 61 62
+z4|
+%%MIDI drum dddd 63 64 65 66
+z4|
+%%MIDI drum dddd 67 68 69 70
+z4|
+%%MIDI drum dddd 71 72 73 74
+z4|
+%%MIDI drum dddd 75 76 77 78
+z4|
+%%MIDI drum dddd 79 80 81 82
+z4|
+
--- a/samples/temperament.abc
+++ b/samples/temperament.abc
@@ -0,0 +1,147 @@
+%%splittune
+%%textfont Helvetica 14
+%%scale .9
+
+
+%%begintext obeylines
+=================
+temperamentlinear
+=================
+%%endtext
+%%begintext justify
+Microtone accidentals can be used along with temperamentlinear. 
+
+In that case, the accidental ratio is based on the new chromatic semitone size,
+defined as 7 fifths minus 4 octaves. (Run abc2midi with the verbose
+option (-v) to see the temperament values.)
+
+As an exception, the microtonal deviation in cents can be represented
+by using denominator=100 in the accidentals. Example:
+%%endtext
+
+X:1
+T:\%\%MIDI temperamentlinear - microtone accidentals in cents
+%%postscript /ft5475{M -3 3 RM 6 -6 RL 2 SLW stroke}def
+%%postscript /ft35939{2 copy ft0 M -7.5 -3 RM 12 F3 (7) show}def
+M:none
+K:C
+%%scale 1.3
+V:1
+%%MIDI program 17
+%%MIDI temperamentlinear 1200 702 %% Pythagorian tunings
+%%MIDI makechordchannels 3
+"^Pure;major;chord"\
+[C_22/100EG]8 y |\
+"^Pythagorian;major;chord"\
+[CEG]8 y ||\
+"^Pure;4:5:6:7;chord"\
+[C_22/100EG_141/100B]8 y |\
+"^Pythagorean;7-chord"\
+[CEG_B]8 y ||
+
+%%newpage
+
+%%begintext obeylines
+================
+temperamentequal
+================
+%%endtext
+%%begintext justify
+New command.
+
+\%\%MIDI temperamentequal <ndiv> [octave_cents] [fifth_steps] [sharp_steps]
+
+This commans sets a tempered scale defined by 'ndiv' equal divisions
+of 'octave_cents' (default is the octave = 1200 cents).
+
+The optional parameter 'fifth_steps', if provided, is an integer that 
+defines the size of the fifth in steps of the temperament.
+This sets where is the note G in the temperament.
+
+When 'fifth_steps' is omited or 0 (zero), the program computes it
+as an approximation of the frequency ratio 3/1, minus the
+(possibly tempered) octave.
+
+The optional 'sharp_steps' defines the meaning of the accidentals.
+'sharp_steps' is the number of steps between a natural note and
+a sharpened note (e.g. between =C and ^C).
+
+By default, the size of a sharp/flat deviation is based on the
+size of the chromatic semitone in the specified temperament: 7 fifths minus
+4 octaves. The values in use in the temperament can be viewed
+by running abc2midi with the command-line option -v (verbose).
+
+With temperamentequal (as with temperamentlinear), microtone accidentals
+are interpreted as fractions of the sharp size in the
+specified temperament, except if they use denominator=100, which
+defines microtonal deviations in cents.
+
+The conventional temperament can be reset with the command temperamentnormal.
+
+
+See also: temperamentlinear, temperamentnormal, makechordchannels
+
+
+Example:
+%%endtext
+
+X:2
+T:\%\%MIDI temperamentequal
+%%stretchlast 1
+M:none
+L:1/2
+K:C
+V:1
+%%MIDI program 44
+%%MIDI makechordchannels 3
+%
+%%text \%\%MIDI temperamentequal 7 1200 4 \% N.B.: fifth = 4 steps
+%%MIDI temperamentequal 7 1200 4 % N.B.: fifth = 4 steps
+"^Octave divided in 7 equal parts"\
+c d e f g a b c' & [I:MIDI=program 44] C8 | [CEGc]2 z |
+%
+%%text \%\%MIDI temperamentequal 17
+%%MIDI temperamentequal 17
+"^Octave divided in 17 equal parts"\
+=c ^/c ^c =d _/d _d =c & C7 | [CEGc]2 z |
+%
+%%text \%\%MIDI temperamentequal 22 \% N.B.: 1/3-sharps
+%%postscript /sh2{M 0 -5 RM 14 F3 (/) show}bind def
+%%postscript /sh258{2 copy M -7.5 -5 RM 14 F3 (\\) show sh0}bind def
+%%postscript /ft2{M 0 -5 RM 14 F3 (\\) show}bind def
+%%postscript /ft258{2 copy M -7.5 -5 RM 14 F3 (/) show ft0}bind def
+%%MIDI temperamentequal 22 % N.B.: 1/3-sharps
+"^Octave divided in 22 equal parts"\
+=c ^1/3c ^2/3c ^c =d _1/3d _2/3d _d =c & C8-C | [C_1/3EGc]2 z |
+%
+%%text \%\%MIDI temperamentequal 31
+%%MIDI temperamentequal 31
+"^Octave divided in 31 equal parts"\
+=c ^/c ^c ^3/c ^^c =d _/d _d _3/d __d =c2 & C12 | [CEGc]2 z |
+%
+%%text \%\%MIDI temperamentequal 19
+%%MIDI temperamentequal 19
+"^Octave divided in 19 equal parts"\
+=c ^c ^^c =d _d __d =c & C7 | [CEGc]2 z |
+%
+%%text \%\%MIDI temperamentequal 19 1205
+%%MIDI temperamentequal 19 1205
+"^Streched octave (1205 cents) divided in 19 equal parts"\
+=c ^c ^^c =d _d __d =c & C7 | [CEGc]2 z |
+%
+%%text \%\%MIDI temperamentequal 11 1200 7 1
+%%MIDI temperamentequal 11 1200 7 1
+"^Octave divided in 11 equal parts"\
+c __d _d =d ^d ^^d =e =g ^g ^^g =a =c' & C12 |
+%
+%%tex \%\%MIDI temperamentnormal
+%%MIDI temperamentnormal
+"^Conventional temperament: octave divided in 12 equal parts"\
+c _d =d ^d =e =f ^f =g ^g =a _b =b =c'2 & C14 |
+
+
+
+
+
+
+